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icantgetabreak76 posted a photo:
I walk onto the catwalk embodying Regan from the iconic horror film The Exorcist, which tells the chilling story of a young girl possessed by a demonic force, only to be saved through a grueling exorcism. Her look mirrors Regan's eerie, unsettling transformation, with disheveled hair, pale, cracked skin, and haunting eyes. Ivanna chose this character to showcase Halloween's ugly and dark side, symbolizing the inner demons and struggles many face. While the character is ultimately saved, she represents a deeper, raw human experience that Ivanna relates to personally and believes others may also resonate with.
I meticulously crafted this Regan-inspired look, determined to capture every eerie and unsettling detail from The Exorcist. She wanted the audience to feel the raw horror and transformation of the possessed girl, so she chose tangled, messy hair from Truth, echoing Regan's wild, unkempt look in her most terrifying moments. The blood- and puke-stained dress from Brii Underground Wear was chosen after thorough research, as it closely mirrored the haunting costume from the film. Ivanna focused on even the smallest elements, from the pallor of her skin to the hollow, tormented look in her eyes, ensuring that the outfit not only showed Regan's ugliness but embodied the disturbing realism of the character. Every detail was carefully curated to evoke fear, discomfort, and the dark side of Halloween.
My portrayal of Regan was carefully crafted to convey a powerful message beneath the horror. By embodying the possessed character, she wanted to symbolize the inner struggles we all face—those unseen demons that manifest as fear, anxiety, doubt, or mental health challenges. With every unsettling detail in her look, from the disheveled hair to the blood-stained dress, Ivanna sought to remind people that no matter how dark things may seem, there’s always a way to overcome. Whether battling uncertainty, insecurity, or just life's daily challenges, her look encouraged a call for compassion and connection. I urged people to face their inner battles, seek help, and find someone who listens and ensures their well-being is cared for. The hope she wanted to convey was that no one has to fight their demons alone, and there is always a lifeline of support waiting to be grasped.
Outfit: *Regan Exorcist Inspiration Costume Brii Underground
*It all with everything, including the eyes and socks
Hair: Truth Reyane Brown
Underwear: Trinite Cover My Kitty/Black
Makeup: BeYoutiful Trauma
Bruises
Objective Eyeshadow + Eyeveins
Veechi Bruised Eye
WIN- Small Wounds
::B::B:: Store-Face Cuts
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Audace School of Modeling
LM: maps.secondlife.com/secondlife/Bratsville/127/104/23
WS: audace-shows-and-events.blogspot.com/
bishographs posted a photo:
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thevegasblackout posted a photo:
London Dada posted a photo:
From 2015, three different PS 'd digital renderings of a street photograph of a pavement vomit stain outside a Shoreditch pub.
Shoreditch, SE London - that creative hub of contemporary art museums /exhibitions
" The world is my photo gallery " M. S.M 2008
" The city ( NY ) is my canvas " Banksy 2013
londondada.art/2015/03/14/work-no-750-shoreditch-street-s...
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jericl cat posted a photo:
This VOMIT BAG and the PRICE of one ADMISSION will enable YOU to SEE...
The first film rated V for violence
Guaranteed to upset your stomach
"Mark of the Devil"
Positively the most horrifying film ever made
David Farreny posted a photo:
« Tu as peur quand tu penses à la mort ? Je n’ai qu’une effroyable peur de souffrir. C’est mauvais signe. Vouloir la mort sans la souffrance est mauvais signe. » (F.K.)
Londres, British Museum : les magnifiques bas-reliefs de chasses royales aux grands fauves (palais du nord-ouest de Nimrod, Assyrie, règne d'Assurbanipal, 645-635 av. J.-C.).
new website : random, RSS | random Flickr | © David Farreny.
Chapps.SL posted a photo:
The cup is mended from several fragments. The tondo on the interior is framed by a band of meander pattern. Within, a youth (wreathed, himation over shoulder, slippers) stoops to hold the head of his elder (wreathed and wearing a fillet, otherwise nude) who is vomiting. A staff lies to the left, and there is a partially preserved potter's inscription in added red.
Inscription on interior: [EUΦPONI]OΣ EΠOIE, ‘Euphronios … ?’
Attributed to Onesimos, painter (Greek (Attic), active 500 - 480 BCE). "Onesimos" means "profitable" in Greek and may have been a nickname. Onesimos worked in Athens in the early 400s B.C. decorating vases. He painted vases primarily in the red-figure technique, but he also decorated some white-ground vases. Although many vase-painters tended to specialize in certain types of vases, Onesimos was unusual in the degree to which he decorated cups almost exclusively. He frequently decorated vases potted by Euphronios and seems to have learned many elements of his painting style from this artist.
Attributed to Euphronios, potter (Greek (Attic), active 520 - 480 BCE). Euphronios was a vase-painter and potter working in the red-figure technique in Athens from about 520 to 470 B.C. He signed his name on eighteen vases, six times as painter and twelve times as potter. To judge by their drawing style, the vases that he signed as potter seem to be later than those he signed as painter.
Getty Villa Museum (86.AE.285)
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